Guide contents

Sample screen

The Sample screen

The screen where one track is made: what each area is for and the order to work in.

The Sample screen (Cmd+1) shows one track at a time: the selected one. Everything a track plays is made here.

The Sample screen, from top to bottom under the toolbar: top panel, track tabs, tool row, waveform, lane of blocks, bottom panel123456

The six areas, from top to bottom

AreaWhat is in itExplained in
1Top panelThe settings of the whole track, in five groups: Playback, Sound, Envelope, Filter, Inserts / Sends.Tempo, bars and timing, Shape the sound, Use VST3 effects
2Track tabsEight keys, one per track, with its number and name. The lit one is the track you see.The eight tracks
3Tool rowThe track's name, then the keys that act on the sample and cut it.Below
4WaveformThe sample, with its numbered slices.Chop a sample into slices
5Lane of blocksThe track's pattern: one block each time a slice plays. The letters A B C D at its right.Build a pattern, Variations A to D
6Bottom panelThe knobs of what is selected: Slices, Selected Slices, Roll.Shape the sound, Rolls and swing

The order to work in

  1. Load a sample into the track. Load, import and record samples
  2. Set its length in bars, and how it follows the tempo. Tempo, bars and timing
  3. Chop it into slices. Chop a sample into slices
  4. Rearrange the blocks into a new pattern. Build a pattern
  5. Shape the sound of the track, of a slice or of a single block. Shape the sound
  6. Listen at every step. Play and listen

Nothing forces this order: you can chop again, change the bars or load another sample at any time.

The top panel

GroupControls
PlaybackTop row: Timing (Stretch), Placement (Place: grid), Swing amount, Voices (Mono). Bottom row: Fit, Bars (2 bars), Swing step, Loop. They have no labels: each box shows its value, and the tooltip names it.
SoundPitch, Gain and the Reverse switch of the track.
Envelope, FilterThe track's envelope and low-pass filter. They are used only while the track has no slices; after that the titles read (per slice), the knobs are dimmed, and each slice has its own in the bottom panel.
Inserts / SendsThe track's four effect slots and four send knobs. They are the same as on the track's strip in the Mixer.

If the window is too narrow for the five groups, the panel scrolls sideways.

The top panel of the Sample screen: Playback, Sound, Envelope, Filter and Inserts / Sends

The tool row

From left to right, in the order you use them:

ControlWhat it does
Track nameDouble-click it to rename the track.
Normalize, ReverseSwitches that act on the whole sample. Normalize or reverse
Clear the sample (bin)Empties the track.
Snap to zero crossings (magnet)Makes every cut land where the wave crosses zero, to avoid clicks.
Slice toolWhile it is on, a click on the waveform cuts.
Note-value menu, Chop gridCuts the sample at every step of the value in the menu.
Slider, Chop transientsCuts where the hits start; the slider sets how sensitive it is.
Clear slicesRemoves every cut.
Zoom out, zoom in, zoom to fitZoom the waveform.

In a narrow window the two chop keys read Grid and Transients, and the track name is hidden (it is still on its tab).

The track tabs and, under them, the tool row: track name, Normalize, Reverse, bin, magnet, slice tool, note-value menu with Chop grid, slider with Chop transients, clear slices and the three zoom keys

The waveform shows what plays, not the file

In most audio programs the waveform is a picture of the file. In Chop it is a picture of what the track plays: the pattern, drawn as audio. Right after loading or chopping the two are the same. As soon as you rearrange blocks, they are not.

This is why you can edit by eye and ear together: what you see from left to right is what you hear from start to end.

You never need to translate back to the file yourself. When you click, cut or trim in the waveform, Chop works out which piece of the sample is under the mouse and acts on that.

Read the waveform

An empty track on the Sample screen: the waveform area asks for a file, the keys of the tool row are dimmed and the bottom panel reads "No slice selected"

An empty track reads Drop an audio file here, or choose one in the sample browser. While a sample loads, the waveform reads Loading... and the track keeps playing what it had.

Zoom and scroll the waveform

Read the lane of blocks

The lane of a two-bar pattern: bar numbers, numbered blocks, a stretched block marked x1.50, a block with +5, a crossfading block with slanted sides, a paler muted block, a rolled block with ticks, and A B C D with the word "edited"

The bottom panel

It shows the knobs of what you selected. With nothing selected it reads No slice selected.

The bottom panel with a block selected: the Slices group, the Selected Slices group with Pitch at +5.0 st, and the Roll group

The difference between a slice and a block matters: see Select slices and blocks.